{"id":4474,"date":"2022-03-01T12:00:37","date_gmt":"2022-03-01T12:00:37","guid":{"rendered":"https:\/\/www.vittorefrattini.it\/antro_portfolio\/sculptures\/"},"modified":"2022-04-08T09:23:54","modified_gmt":"2022-04-08T09:23:54","slug":"sculptures","status":"publish","type":"antro_portfolio","link":"https:\/\/www.vittorefrattini.it\/en\/antro_portfolio\/sculptures\/","title":{"rendered":"Sculptures"},"content":{"rendered":"

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However, still maintaining poetic autonomy, this artist resolves a sort of a linguistic wager, weaving an articulated dialogue between space and the proliferation of visual impressions.<\/h2>

Vittorio Sgarbi<\/h5>[vc_column_text el_class=”has-animation bigger”]”I Giudizi di Sgarbi” Giorgio Mondadori Ed. 2005[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=”full dark-section”][vc_column][vc_single_image image=”4130″ img_size=”full” alignment=”center” el_class=”has-animation has-parallax has-scale”][\/vc_column][\/vc_row][vc_row el_class=”row_padding_top dark-section small”][vc_column]

Often the same sign migrates from a sheet of paper \u2013 where it is announced with the same levity and insuperable command as a master of Japanese calligraphy \u2013 to a sculpture. The idea probably takes form thus, first on paper, where he allows it to unfurl on three dimensions; then it is transferred to a more solid discipline, to a more definite design, only to resurface later, almost identical but in sculptural form.\u00a0<\/span><\/h2>
Martina Corgnati<\/h5>[vc_empty_space][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”1\/3″]

Struttura (2004)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][vc_column width=”2\/3″]
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\u00a9 LAVIT<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”2\/3″]
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\u00a9 LAVIT<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][vc_column width=”1\/3″]

Totem (2005)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”1\/3″]

Cartiglio (2005)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][vc_column width=”2\/3″]
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\u00a9 LAVIT<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”2\/3″]
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\u00a9 LAVIT<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][vc_column width=”1\/3″]

Struttura (2004)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”1\/3″]

Artocarpus (2004)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][vc_column width=”2\/3″]
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\u00a9 LAVIT<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row content_placement=”middle” el_class=”large row_padding_bottom dark-section”][vc_column width=”2\/3″]
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\u00a9 Ph. Antonio Bandirali<\/figcaption><\/figure>[vc_empty_space height=”50px”][\/vc_column][vc_column width=”1\/3″]

Monumento a Giovanni Borghi (2001)<\/h4>[vc_column_text]Work made of coloured stainless steel.[\/vc_column_text][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row el_class=”small row_padding_top row_padding_bottom”][vc_column]

It does not matter whether these works are of large or small sizes, they all have this power, this decisive and endless stroke that nobody knows where it comes from nor where it ends, visibly merging at our eye, only in the brief stroke that runs through the canvas. A spell.<\/h2>

Giuseppina Panza di Biumo<\/h5>[vc_column_text]Vittore Frattini, Nomos Ed.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/section>","protected":false},"template":"","portfolio_category":[99],"class_list":["post-4474","antro_portfolio","type-antro_portfolio","status-publish","hentry","portfolio_category-garden-sculptures"],"_links":{"self":[{"href":"https:\/\/www.vittorefrattini.it\/en\/wp-json\/wp\/v2\/antro_portfolio\/4474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vittorefrattini.it\/en\/wp-json\/wp\/v2\/antro_portfolio"}],"about":[{"href":"https:\/\/www.vittorefrattini.it\/en\/wp-json\/wp\/v2\/types\/antro_portfolio"}],"wp:attachment":[{"href":"https:\/\/www.vittorefrattini.it\/en\/wp-json\/wp\/v2\/media?parent=4474"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.vittorefrattini.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=4474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}